And Pugh fits perfectly into their dynamic, shooting the shit and swigging vodka with both characters throughout the film. Rachel Weisz as faux matriarch Melina has less to do, but Rachel Weisz With Gun has been a rich genre since The Favourite, so give her something to kill and I’m happy. David Harbour has a hell of a time as the has-been strongman Red Guardian, who leaves much to be desired in terms of fatherly instincts.
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To be fair, Johansson has it tough because she plays a very straight character (on every level, unfortunately) in a cast full of goofy fan favorites. I imagine no viewer has ever thought this about Scarlett Johansson or Natasha Romanoff, which is part of why Pugh so thoroughly snatches the movie. Yelena is fun, and sort of messy, and despite her assassin status she still seems like someone you could hang out with. Instead, Yelena is just a girl-even the superspy braids and leather catsuits look sort of wearable on her. But unlike Lawrence’s ( infamous, hated) turn as Mystique in the X-Men series, Marvel was smart enough not to force Pugh into layers of blue makeup and CGI. Pugh’s current Internet Girlfriend phase feels a lot like the early Jennifer Lawrence days, what with her quirky cool girl energy and the internet’s breathless adoration. Is ‘Black Widow’ Too Little, Too Late for Natasha Romanoff? The ‘Black Widow’ Exit Survey Maybe Florence Pugh is such an Amy herself that she brings that particular brand of charisma to every role, but the similarities were such that I expected David Harbour’s Alexei to embrace his (again, fake) daughters at any point in the film and exclaim, “My little women!” He didn’t do it, but it felt like he wanted to. (Is Natasha a Meg or a Jo? A debate for another time.) And instead of burning manuscripts, now Pugh is taking kill shots and blowing up buildings. As Russian Amy, Pugh’s braids are upgraded, her bratty streak has taken on a particularly violent edge, and she’s better than ever at negging her older sister.
Give Amy March a thick accent, a machine gun, a beloved cargo vest, and even deeper family-related trauma, and you have Yelena Belova, Natasha Romanoff’s (fake) younger sister and the MVP of Marvel’s latest studio effort, Black Widow.
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After a mild heart attack during which I reviewed every embarrassing tweet I’d ever sent about her, and then a moment of reassurance when I remembered that my dad is not on Twitter, I told him she was the sassy, rebellious younger sister in Little Women, a movie I’d forced on him in early quarantine. As my dad and I drove out of the parking lot after seeing Black Widow, our first movie in theaters since 2020, he asked where he’d seen Florence Pugh before.
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